Stylumia
Fashion Trend Analysis · Bangalore
Fashion trend analysis.
Designer · writer · researcher
My practice moves between making clothes and asking what clothes mean—how materials hold memory, how craft changes in motion, and how fashion reflects the culture around it.



A working philosophy
I am drawn to the point where materials become memory and clothes become cultural evidence. I care about sustainability without turning it into visual shorthand, and about Indian craft without freezing it in nostalgia.
Design and writing are two ways of doing the same thing for me: staying with a question long enough to understand what is underneath the first answer.
When a challenge resists an easy answer, I explore new avenues and try new approaches while holding my ground—working to do better without compromising what matters.
look, test, make, write, look again.Experience
Fashion trend analysis.
Researched and authored analytical pieces across fashion, art and culture, following designer narratives and larger cultural shifts.
Worked across sampling, trend research and product coordination for luxury prêt.
Hands-on exposure to the pace, detail and problem-solving of a working fashion studio.
Worked across visual communication and graphic design before moving fully into fashion.
Education / files kept open
Each stage sits behind the next without disappearing: a working archive of the places and courses that shaped the practice.
MA Fashion Design Management · London
B.Des Fashion Design in ISDI Parsons · Mumbai
12th Grade · Pune
10th Grade · Nashik
Research / learning / proof
Research has become another way of making: a place to test questions about forecasting, regenerative systems, technology and the changing role of the designer, alongside formal courses that widened the frame.
Trend forecasting / regenerative systems
AI / creative agency / fashion design
Research study / circular fashion / consumer values
Parsons
Parsons
MoMA
Google India
Microsoft
Cambridge
Tools / practices / instincts
Visual cabinet / kept for later
Not every reference belongs to a project. Some are simply images I keep because they sharpen a colour, a mood, a proportion, a way of looking.
Fashion is most interesting when it refuses to be only about clothes.
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