Portfolio / 2026 Fashion design · writing · research

Parrie Chhajed

Designing clothes.
Writing around them.

Fashion design, writing and research across material, memory, culture and the systems around what we wear.

Parrie Chhajed
Parrie / London, 2026
Parrie's working desk covered with references, samples and sketches
worktable / references in motion
Close-up of a gathered textile surface being developed
material / making before outcome
Stratford, London Mumbai → London
Design statement 01

Fashion interests me because it is never only about clothes.

It is shaped by history and commerce, by politics and desire, by craft and technology, by the personal and the collective. I am interested in these intersections—and in the tensions within them.

Through design, writing and research, I explore fashion as both a material practice and a cultural one. I question the stories we attach to clothes, the histories we choose to remember, and the meanings we give them as they move between people and places.

My work is an attempt to look at fashion closely enough to see what lies beyond it.

material / memory / movement

Working archive

The work
before the work.

Research rarely arrives cleanly. It accumulates as scraps, screens, paint, fabric, photographs and half-resolved questions before it becomes a collection or an argument.

Sketchbook collage with architectural references, botanical drawing and material fragments
01sketchbook / architecture + memory
Fashion research desk with tablets, notes and highlighted references
02research / identity in progress
Small floral colour study painted in a sketchbook
03colour study / by hand
White textile smocking gathered under a sewing machine
04making / surface taking shape
keep the evidence, not just the answer.

Selected writing

Writing

I use writing to follow what clothes reveal about power, taste, identity and the worlds that produce them.

Selected work

Collections

Four projects moving through memory, repair, growth and excess. Each has its own visual rhythm.

RASA collection
Resort WearSustainable · Handwoven

RASA

The Essence of Memories

RASA translates memories of Nashik’s vineyards and Indian architecture into resort wear through wine-dyed modal silk, pressed flowers and sculptural smocking.

Open project
KINTSUGI collection
Evening Wear / PrêtDeconstruction · Draping

KINTSUGI

The Art of Repair

KINTSUGI turns visible repair into evening wear, using deconstruction, gold-highlighted seams, draping and wire-built volume to treat imperfection as part of the garment’s history.

Open project
RESURGENCE collection
ConceptualEco-printing · Silk

RESURGENCE

Chaos vs. Growth

RESURGENCE traces a movement from numbness toward connection through layered silhouettes and flower-pounded, eco-printed surfaces on silk and wool.

Open project
NEVER SUBTLE collection
Gen Z / StreetBold · Contrast

NEVER SUBTLE

Dopamine Dressing

NEVER SUBTLE uses saturated colour, contrast and expressive separates to turn dopamine dressing into a social gesture that starts conversations rather than simply attracting attention.

Open project

About

Between making
and meaning.

I am a fashion designer, writer and researcher interested in what clothes reveal about memory, culture, craft, commerce and the people who move through them.

Meet Parrie
Parrie Chhajed
Designer / writer / researcher