Indian Fashion is Rising as a Global Force: Diverse, Expressive and Impossible to Ignore
Charting how Indian designers, textiles, and aesthetics are moving from 'ethnic' niche to central players in global fashion.
Read articleParrie Chhajed
Fashion design, writing and research across material, memory, culture and the systems around what we wear.
It is shaped by history and commerce, by politics and desire, by craft and technology, by the personal and the collective. I am interested in these intersections—and in the tensions within them.
Through design, writing and research, I explore fashion as both a material practice and a cultural one. I question the stories we attach to clothes, the histories we choose to remember, and the meanings we give them as they move between people and places.
My work is an attempt to look at fashion closely enough to see what lies beyond it.
Working archive
Research rarely arrives cleanly. It accumulates as scraps, screens, paint, fabric, photographs and half-resolved questions before it becomes a collection or an argument.
Selected writing
I use writing to follow what clothes reveal about power, taste, identity and the worlds that produce them.
Charting how Indian designers, textiles, and aesthetics are moving from 'ethnic' niche to central players in global fashion.
Read articleSelected work
Four projects moving through memory, repair, growth and excess. Each has its own visual rhythm.
The Essence of Memories
RASA translates memories of Nashik’s vineyards and Indian architecture into resort wear through wine-dyed modal silk, pressed flowers and sculptural smocking.
Open projectThe Art of Repair
KINTSUGI turns visible repair into evening wear, using deconstruction, gold-highlighted seams, draping and wire-built volume to treat imperfection as part of the garment’s history.
Open projectChaos vs. Growth
RESURGENCE traces a movement from numbness toward connection through layered silhouettes and flower-pounded, eco-printed surfaces on silk and wool.
Open projectDopamine Dressing
NEVER SUBTLE uses saturated colour, contrast and expressive separates to turn dopamine dressing into a social gesture that starts conversations rather than simply attracting attention.
Open projectInstagram / @parrie_chhajed
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About
I am a fashion designer, writer and researcher interested in what clothes reveal about memory, culture, craft, commerce and the people who move through them.
Meet Parrie