PARRIE Chhajed
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Resort wear / memory / material

RASA

The essence of memories

A resort-wear thesis about what time leaves behind in a place, a material, a memory and a garment.

Wine dyeingFlower pressingSmockingArchitectural motifs
RASA collection cover
Nashik → resort wearParrie Chhajed
01

The premise

What grows more beautiful with time?

RASA begins in Nashik: with home, soil, vineyards and memories attached to growing up in India’s wine country. Wine became a way to think about ageing, something that changes, deepens and gains character rather than simply becoming old.

The collection pairs that idea with Indian architecture. Jharokhas, carved jaalis, fort silhouettes and ornamental geometry inform structure and surface, while slow fabrics and hand processes keep the garments soft, lived-in and contemporary.

RASA textures, architecture and emotion board
RASA concept collage combining jaali geometry, Indian architecture, wine and resort-wear references
Both wine and architecture taught me the same thing: patience makes things beautiful.
02

Why RASA?

Four questions came before a silhouette.

why resort wear? why wine?
why architecture? why me?

01 / Resort wear

Beyond the expected kaftan.

Youthful, easy and slightly sensual resort dressing that feels culturally rooted without relying on bohemian shorthand.

02 / Wine

A material language for time.

Growing up around Nashik’s vineyards made wine personal. Its patience, staining and quiet luxury became both concept and process.

03 / Architecture

Structure without stiffness.

Arches, jaalis, lattice and fort geometry become cut, construction, motif and rhythm rather than copied decoration.

04 / Me

Home as a design source.

Nashik, Indian craft and memories of place become a way to ask how heritage can move forward without being frozen.

03

Designing for the wearer

Primary research

Desirable and possible to wear.

Consumer research exposed a useful tension: many Indian wearers are interested in sensual resort dressing, but want more control over exposure, styling and context. Those preferences became design constraints, not afterthoughts.

RASA primary research and wearer study
RASA consumer and resort-wear research
ease ≠ absence of intention

notes carried into the clothes

01

Styling

Layering, cover-ups, detachable pieces and convertible components let one garment move between settings.

02

Silhouette

Longer, fluid forms balance modesty with sensuality and respond to how Indian consumers want to dress.

03

Function

Breathability, pockets and multi-context wear matter as much as image; resort wear has to work beyond the beach.

04

Material lab

Surface / touch / process

Let the process stay visible.

Hand techniques mattered because a perfectly flat surface would contradict the thesis. The collection needed evidence of pressure, absorption, labour and irregularity.

A concentrated mark becomes an uneven wash.

RASA Wine dyeing study
01

Wine dyeing

Wine becomes more than a reference: its staining and uneven absorption let time and unpredictability enter the cloth.

RASA Flower pressing study
02

Flower pressing

Botanical impressions soften the architectural language, leaving dispersed, imperfect marks on modal silk and organza.

RASA Smocking + structure study
03

Smocking + structure

Smocking, cording and stitched lines translate lattice, rhythm and volume into surfaces that still move with the body.

RASA Motif development study
04

Motif development

Jharokhas, jaalis, arches and geometric interlocks are reduced, repeated and deconstructed rather than reproduced literally.

RASA physical material sample catalogue
05

Material sample catalogue

05

Design development

Built, dissolved, reconstructed.

Architectural references establish control and proportion; wine dyeing, flower pressing and drape introduce softness, irregularity and chance. The garments emerge from the friction between those systems.

RASA draping and form exploration
Draping / form
RASA collection line-up
Collection line-up
RASA look development and technical study
Look development
06

The collection

Final outcome / collection photography

From research
to bodies in clothes.

The finished collection carries the same conversation at full scale: wine and blush, cream and earth, fluidity against structure, botanical softness against architectural line.

RASA final collection photography
collection / final outcome
RASA final collection detail
look / detail
RASA final collection closing plate
closing plate

Complete collection / source pages

Every page of Rasa.

84 pages, in their original order. Swipe or use the arrows to turn pages. Select a page to open the full-screen reader.

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